Grammy 2013: Best Remixed recording non-classical, Best Engineered Album (Classical), Best Engineered Album (Non-Classical), Producer of The Year. non-classical, Best Historical Album

Altro post per i tanto attesi Grammy 2013 consegnati il prossimo 10 febbraio 2013. Dopo le categorie analizzate nei giorni scorsi, procediamo gli altri candidati. E partiamo da “Best Remixed recording non-classical“. Venne consegnato per la prima volta nel 1998 e fu vinto, ai tempi, da Frankie Knuckles. Vediamo i cinque nominati…

• Axel Hedfors – “In My Mind”, performed by Ivan Gough and Feenixpawl featuring Georgi Kay
• Thomas Olsen – “The Veldt”, performed by Deadmau5 featuring Chris James
• Photek – “Lie Down in Darkness”, performed by Moby
• Eric Prydz – “Midnight City”, performed by M83
• Promises (Skrillex & Nero Remix), Skrillex, remixer (Nero) Joseph Ray, Skrillex & Daniel Stephens, remixers

Cliccate dopo il salto per le altre categorie:

Ripercorriamo insieme adesso il “Best Engineered Album, Classical“, attribuito fin dal 1959 (dal 1960 al 1965 si chiamava Best Engineered Recording – Special or Novel Effects). E le nomination vanno a…

• Daniel Shores for Americana, performed by the Modern Mandoline Quartet
• Bruce Egre for Beethoven: The Late String Quartets, Op. 127 & 131, performed by the Brentano String Quartet
• Tom Caulfield & John Newton (engineers), Mark Donahue (mastering engineer) for Life & Breath – Choral Works by René Clausen, performed by Charles Bruffy & the Kansas City Chorale
• Jesse Lewis & John Newton (engineers), Jesse Brayman (mastering engineer) for Music for a Time of War, performed by Carlos Kalmar and the Oregon Symphony
• Morten Lindberg for Souvenir, performed by Trondheim Solistene

Ed ecco i candidati della stessa categoria ma in un altro ambito musicale: Best Engineered Album, Non-Classical

• Moogie Canazio & Al Schmitt (engineers), Bernie Grundman (mastering engineer) for The Absence, performed by Melody Gardot
• Glyn Johns (engineer), Bob Ludwig (mastering engineer) for Ashes & Fire, performed by Ryan Adams
• Richard King (engineer and mastering engineer) for The Goat Rodeo Sessions, performed by Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile
• Joe Chiccarelli, Steve Churchyard, Lars Fox, Graham Hope, Tony Maserati & Morgan Stratton (engineers), Bob Ludwig (mastering engineer) for Love Is A Four Letter Word, performed by Jason Mraz
• Helik Hadar (engineer), Bernie Grundman (mastering engineer) for Slingshot, performed by Rebecca Pidgeon

Per il Non Classical, c’è anche il premio “Producer of The Year. non-classical”

• Dan Auerbach
• Jeff Bhasker
• Diplo
• Markus Dravs
• Salaam Remi

Passiamo adesso al Best Historical Album

• Josh Rosenthal (producer), Bryan Hoffa & Christopher King (mastering engineers) for He Is My Story: The Sanctified Soul of Arizona Dranes (Arizona Dranes)
• Kent Cave, Michael Montgomery & Ted Olson (producers), John Fleenor & Steve Kemp (mastering engineers) for Old-Time Smoky Mountain Music: 34 Historic Songs, Ballads and Instrumentals Recorded in the Great Smoky Mountains by ‘Song Catcher’ Joseph S. Hall (Various Artists)
• Steven Lance Ledbetter & Jonathan Ward (producers), Michael Graves (mastering engineer), for Opika Pende: Africa at 78RPM (Various Artists)
• Paul McCartney (producer), Simon Gibson, Guy Massey & Steve Rooke (mastering engineers) for Ram – Paul McCartney Archive Collection (Deluxe Edition) (Paul and Linda McCartney)
• Alan Boyd, Mark Linett, Brian Wilson & Dennis Wolfe (producers), Mark Linett (mastering engineer) for The Smile Sessions (Deluxe Box Set) (Beach Boys)
• Jeff Place & Robert Santelli (producers), Pete Reiniger (mastering engineer) for Woody at 100: The Woody Guthrie Centennial Collection (Woody Guthrie)